Skip to main content

RESEARCH - THE PARIS AGREEMENT

At the Paris climate conference (COP21) in December 2015, 195 countries adopted the first-ever universal, legally binding global climate deal.
The agreement sets out a global action plan to put the world on track to avoid dangerous climate change by limiting global warming to well below 2°C. The Paris Agreement builds upon the Convention and – for the first time – brings all nations into a common cause to undertake ambitious efforts to combat climate change and adapt to its effects, with enhanced support to assist developing countries to do so. As such, it charts a new course in the global climate effort.

The Paris Agreement’s central aim is to strengthen the global response to the threat of climate change by keeping a global temperature rise this century well below 2 degrees Celsius above pre-industrial levels and to pursue efforts to limit the temperature increase even further to 1.5 degrees Celsius. Additionally, the agreement aims to strengthen the ability of countries to deal with the impacts of climate change. To reach these ambitious goals, appropriate financial flows, a new technology framework and an enhanced capacity building framework will be put in place, thus supporting action by developing countries and the most vulnerable countries, in line with their own national objectives. The Agreement also provides for enhanced transparency of action and support through a more robust transparency framework.
Key elements
The Paris Agreement is a bridge between today's policies and climate-neutrality before the end of the century.

Mitigation: reducing emissions

Governments agreed
  • a long-term goal of keeping the increase in global average temperature to well below 2°C above pre-industrial levels;
  • to aim to limit the increase to 1.5°C, since this would significantly reduce risks and the impacts of climate change;
  • on the need for global emissions to peak as soon as possible, recognising that this will take longer for developing countries;
  • to undertake rapid reductions thereafter in accordance with the best available science.
Before and during the Paris conference, countries submitted comprehensive national climate action plans (INDCs). These are not yet enough to keep global warming below 2°C, but the agreement traces the way to achieving this target.

Transparency and global stock take

Governments agreed to
  • come together every 5 years to set more ambitious targets as required by science;
  • report to each other and the public on how well they are doing to implement their targets;
  • track progress towards the long-term goal through a robust transparency and accountability system.

Adaptation

Governments agreed to
  • strengthen societies' ability to deal with the impacts of climate change;  
  • provide continued and enhanced international support for adaptation to developing countries.  

The agreement also

  • recognises the importance of averting, minimising and addressing loss and damage associated with the adverse effects of climate change;
  • acknowledges the need to cooperate and enhance the understanding, action and support in different areas such as early warning systems, emergency preparedness and risk insurance.

Role of cities, regions and local authorities

The agreement recognises the role of non-Party stakeholders in addressing climate change, including cities, other subnational authorities, civil society, the private sector and others. 
They are invited to
  • scale up their efforts and support actions to reduce emissions;
  • build resilience and decrease vulnerability to the adverse effects of climate change;
  • uphold and promote regional and international cooperation.

Support

  • The EU and other developed countries will continue to support climate action to reduce emissions and build resilience to climate change impacts in developing countries.
  • Other countries are encouraged to provide or continue to provide such support voluntarily.
  • Developed countries intend to continue their existing collective goal to mobilise USD 100 billion per year by 2020 and extend this until 2025. A new and higher goal will be set for after this period.

Search for available translations of the preceding link

This initiative of the Peruvian and French COP Presidencies brought countries, cities, businesses and civil society members together to accelerate cooperative climate action in support of the new agreement.

EU's role

The EU has been at the forefront of international efforts towards a global climate deal.
Following limited participation in the Kyoto Protocol and the lack of agreement in Copenhagen in 2009, the EU has been building a broad coalition of developed and developing countries in favour of high ambition that shaped the successful outcome of the Paris conference.
The EU was the first major economy to submit its intended contribution to the new agreement in March 2015. It is already taking steps to implement its target to reduce emissions by at least 40% by 2030.
EU Climate Action at COP21 (Storify)
How the EU helped build the ambition coalition (Storify)
Action areas at EU & international level

Next steps

  • The agreement opened for signature for one year on 22 April 2016.
  • To enter into force, at least 55 countries representing at least 55% of global emissions had to deposit their instruments of ratification.
  • On 5 October, the EU formally ratified the Paris Agreement, thus enabling its entry into force on 4 November 2016.

Comments

Popular posts from this blog

CORNELIA PARKER - THE STORY OF COLD DARK MATTER

Cold Dark Matter: An Exploded View  is the restored contents of a garden shed exploded by the British Army at the request of the artist Cornelia Parker. The surviving pieces have been used by Parker to create an installation suspended from the ceiling as if held mid-explosion. Lit by a single lightbulb the fragments cast dramatic shadows on the gallery’s walls.  In an interview with Tate curator Michaela Parkin, Parker suggested that an explosion was something she had wanted to do for a long time. To her, an explosion is an ‘archetypal’ image, familiar to us from childhood to adult life:       Somehow the idea and imminence of the ‘explosion’ in society seemed such an iconic thing. You were being constantly bombarded with its imagery, from the violence of the comic strip, through action films, in documentaries about Super Novas and the Big Bang, and least of all on the news in never ending reports of war. Parker liked the idea of something that happened...

CLAIRE BISHOP - COLLABORATIONS AND ITS DISCONTENTS

Claire Bishop’s short paper begins with a curious quote from Dan Graham: “All artists are alike. They dream of doing something that’s more social, more critical, and more real than art” (60) . A brazen comment, this generalisation gives Bishop’s discussion a provocative start. It also anticipates her assumption that all “real” art is necessarily concerned with aesthetics. This helps to explain her interest in discussing “the social turn” as Art—or, more accurately, a lack thereof . After briefly describing both the recent proliferation of publicly engaged art practices and their value as therapy for repairing the social bond , Bishop maps prevailing perceptions of this art as polarized. There are the “non-believers,” the aesthetes who dismiss the art as uninteresting, and there are “the believers” the zealots, the activists who, according to Bishop, “…reject aesthetic questions a s synonymous with the market and cultural hierarchy ” (61). Curiously, Bishop fails to identify a third ...

REFLECTION ON PUBLIC COLLABORATION !.

For this piece the initial artwork wasnt documented digitally by film or phtograph, i wanted to let the objects and the piece exist on their own within the space and allow the interactions and participation to happen without there being any sense that it is an art work. I feel like the results are completely different by just writing about the interactions as a reflection and a time lapse done in the simplest form by using text.  I found that the audience were rather confused about the obejcts as they were so precariously placed and people are used being informed about the art works or public art pieces. Knowing this the first investigation of this project was a success, i was able to gather an understanding of how people would interact with my art work and how it would display my concept.  After this investigation I do feel as though i need to reconsider how i document these installations, I still want them to be discrete and have a sense of the unknowing but also wo...