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Concrete Exhibtion - Proposal


Submission form - Concrete

Looking for a wide range of artworks surrounding the subject of Urban or Architecture. Feel free to be as bold and experimental as possible. With a large space, there is a range of opportunities to pursue within this space. There will also be an opportunity for items such as prints and other objects to be sold within this exhibition. Which if successful will be discussed later on in the organising.

Please note that the venue has changed to St Margaret's Church located on St Benedicts Street, Norwich. The venue will be available to the Concrete team from the 31st of March till the 6th of April with an evening of events being held on Friday the 5th of April. Please be aware that you will need to be available on the 31st of March to drop/install work (depending on what is being presented) and on the 6th of April to pick up/dismantle artworks. If this is an issue please state this in the email, when sending the submission form. Thank you.

Artist Name: JAKE WISE
Email, Phone Number, any other way which may be easy to contact: jakewise0@gmail.com
07802543135
Social media or Website: jakewise__
Type of work: sculpture/installation
What are you wanting to present within this exhibition: an interactive piece consisting of found object and audience participation
Materials or equipment that will be needed: found objects (architectural based)
Measurements of space that you are wanting to use (mm): N/A
Photos of any previous artworks or performances. Feel free to add anything you feel is relevant to publicising your work.



Previous work that will influence this exhibition -
“Untitled” 2018 – Breeze Block
The work will comprise of an on-going investigation and installation in which the gallery space will be used to document how a material can be subverted aside from its original function. I will be changing the forms of 6 breeze blocks over the course of the exhibition, manipulating them within the space to see how people react to what I would call a ‘social glitch’.
Breeze Blocks are a feature of a vast reservoir of usually unnoticed and trivial materials that comprise a seemingly common aspect of the everyday. The rise of the everyday in contemporary art is usually understood in terms of the desire to bring the mundane and overlooked aspect of society and life into visibility. So if the everyday is the realm of the unnoticed it might be asked; just how do we attend to it? How do we drag the everyday into view? The materials act as a speculative, unsystematic and ambiguous form of these questions, playing a fundamental role in bringing this idea of the everyday and life its self into sight. The idea is not for these materials to act cohesively within an institution or gallery space but to adhere to normality, it is to be interrogative rather than assertive. By means of seriality and reproduction the works elaboration is to relentlessly displace the original, in the means of subverting the intention of the material.
‘There is a type of tension which resides in a form so industrial. This tension is strikingly political as much as it is physical as the narrative of such an industrial item forces itself to be considered. The movement juxtaposes the material. What emerges is a type of concrete poetry in which the audience interaction becomes the lines in which the words are written. An invitation to interact with the work, echoes labour-use value which is undetermined in the work. There is a purely mechanical notion also to this work as there is form to the found objects. The series of works created poses questions of interconnection. Is each sculpture independent from the last if the same material is used?'


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